Modern pianos are central to classical music. But some musicians are learning other keyboard instruments, and feel like better artists for it.
One of Haas’s former students reflects on his time with a teacher who had lessons to offer in music, doubt and influence.
The composer’s latest work, “Theta,” born of the pandemic, loss and long swims in open water, is premiering in Germany.
Eerie coincidences make the composer’s final work, “Four Songs for Crossing the Threshold,” seem like a requiem written for himself.
Nicolas Hodges has carried on with his career as an eminent interpreter of avant-garde music. But it hasn’t been without sacrifices.
Salvatore Sciarrino’s “Venere e Adone,” his 15th opera, premieres this weekend at the Hamburg State Opera.
The storied Berlin techno club Berghain has changed the way some composers think about and make music.
Daniel Barenboim is a great musician and humanist. So why are so many people afraid of him?